Adel Abidin

Artist Biography

Helsinki-based artist Adel Abidin is best known for his candid exploration of history, identity, politics, conflicts and memory. His incisive use of irony and humor draws him towards various social situations, addressing elusive experiences and cultural alienation. His projects have gained recognition through numerous exhibitions worldwide.

Born in Baghdad, Iraq, in 1973, Abidin earned his Bachelor’s degree in the painting department at the Academy of Fine Arts in Baghdad (BFA, 2000) and completed his Master’s degree in time and space art from the Academy of Fine Arts in Helsinki (MFA, 2007). He has received several awards, including the prestigious Ithra Art Prize (Saudi Arabia, 2023), being named Alumni of the Year 2022 at the University of Arts in Helsinki, the Finland Prize for Visual Arts (Helsinki, 2015), Ars Fennica prize nominee (Helsinki, 2012), Jawad Saleem prize (Baghdad, 2001), and the third prize of Ismail Fatah Al Turk (Baghdad, 1999).

Abidin’s works can be found in museums and public collections, including the Kiasma Contemporary Art Museum in Helsinki, Finland, the National Gallery in Finland, Darat El-Fenun in Jordan, Mathaf – Museum of Arab Art in Doha, Qatar, Kamal Lazzar Foundation in Tunis, King Abdulaziz Center for World Culture – Ithra, in Dhahran, Saudi Arabia, and the NGV – National Gallery of Victoria in Melbourne, Australia, as well as in many private collections.

Since representing Finland at the Nordic Pavilion in the 52nd Venice Biennale in 2007, Abidin’s work has been featured in numerous biennales worldwide. His major solo exhibitions include MAC/VAL – Musée d’Art Contemporain in Paris (2008), Kiasma – Museum of Contemporary Art in Helsinki (2010), The Da2 – Centre of Contemporary Art in Salamanca, Spain (2010), Wharf – Centre d’Art Contemporain de Basse in Normandy (2011), Darat al Funun – The Khalid Shoman Foundation in Amman (2011), Kunsthalle Winterthur in Switzerland (2012), Maraya Art Center in Sharjah (2013), and Ateneum Art Museum, National Gallery in Helsinki (2018).

Abidin participated in group shows worldwide; most recently at Ithra – King Abdulaziz Center for World Culture, Saudi Arabia (2023), The Nordic House in Iceland (2023), ISAW – Institute for the Study of the Ancient World in New York (2023), SAVVY Contemporary (2021), Seoul Museum of Art in South Korea (2019), Yinchuan Museum of Contemporary Art in China (2019), MAXXI Museum in Rome (2018), FOR-SITE Foundation in San Francisco (2017), Kunstram Kreuzberg – Bethanien in Berlin (2017), Vanhaerents Art Collection in Brussels (2016).

Website

Exhibitions
Featured
ART DUBAI 2024

From Februrary 28, 2024 to March 3, 2024

Featured
MENART 2023

From February 3, 2023 to February 5, 2023

Featured
I Am One Acquainted With The Night
Collective Exhibition

From June 5, 2021 to September 25, 2021

Featured
Ya! | يا
Adel Abidin

From January 22, 2019 to March 20, 2019

Featured
From Sound to Silence
Collective Exhibition

From June 7, 2017 to August 5, 2017

Featured
… كان يا مكان
Collective Exhibition

From February 16, 2022 to April 16, 2022

Selected Works
Politically Correct

Politically Correct questions both political and correctness. It presents political correctness in fragile form, that suggests the term political correctness can bend and even twist; it can be spelled and understood wrong. It may not be such a superpower, as it seems at first sight. And yet, we take it as a tool to manage minds and good behaviour.

We Came to Kill Your Father

The neon text sculpture, was inspired by a real story of a young girl who during the Finnish civil war opened the door to a group of men who were knocking on her home’s front door. They simply told upon opening the door: “we came to kill your father.” – a long suppressed and painful memory that took decades for her to finally share.

As the history repeats itself, the doors are keep being knocked and the same sentence is being spoken.

Politically Correct
Adel Abidin
Politically Correct
Coated stainless steel sculptures, Edition 1 of 3
2018
250 cm x 325 cm

Politically Correct questions both political and correctness. It presents political correctness in fragile form, that suggests the term political correctness can bend and even twist; it can be spelled and understood wrong. It may not be such a superpower, as it seems at first sight. And yet, we take it as a tool to manage minds and good behaviour.

We Came to Kill Your Father
Adel Abidin
We Came to Kill Your Father
Neon Installation
2018
17 cm x 400 cm, Photo Credit Elie Bekhazi

The neon text sculpture, was inspired by a real story of a young girl who during the Finnish civil war opened the door to a group of men who were knocking on her home’s front door. They simply told upon opening the door: “we came to kill your father.” – a long suppressed and painful memory that took decades for her to finally share.

As the history repeats itself, the doors are keep being knocked and the same sentence is being spoken.

Adel Abidin News
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Iraqi-Finnish Ithra Art Prize winner Adel Abidin explores ‘fragility of history’
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L’Ithra Art 2023 à l’Irakien Adel Abidin
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"We are beyond excited to announce that Adel Abidin is the winner of the 2023 Ithra Art Prize ! His winning artwork “On” (عن) examines the connection between history, memory, and identity through the study of the Zanj Rebellion in Iraq, using a special stamping technique."
Ithra Art Prize 2023
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