Joan Ill’s work implies a reflexive revision of the concept of painting, questioning its limits while at the same time investigating and delving into its intrinsic possibilities and revealing its less evident side. He disrupts the usual perception of space and matter, turns the pictorial language upside down and offers us that which is usually hidden, the back room of the show.
[...] these bodies of work serve to engage the artists and the public in a dialogue on the depths of the interrelation between power and loss, examining the consequences of their ebb and flow.
