At the Venice Biennale, Móyòsórè Martins presents Feed the Machine (2025) and In The Time of Place (2023) in Worlds in the Making, merging Yoruba cosmology, diasporic identity, and raw, layered visual language into emotionally charged works.

Republic of Sierra Leone Pavilion at the 61st Venice Biennale, where New York’s Nigerian-born Afrofuturist contemporary artist, Móyòsórè Martins will present two major works as part of Worlds in the Making exhibition.

Martins will debut two monumental paintings — Feed the Machine (2025) and In The Time of Place (2023) — works that reflect his signature layered visual language, where figuration, text, and symbolic fragments collide to create emotionally charged psychological landscapes.