From July 3, 2025 to October 2, 2025

Reisingerstraße 6 Rgb, 80337 München, Germany

Michelangelo Pistoletto, Ragazza che fotografa un QR Code, 2021, Silkscreen Printing on Stainless Steel Supermirror, 250 cm x 125 cm

 

 

With the Quadro Specchiante (1961-62), the threshold of the unknown was opened and the universe presented itself to our gaze, offering us its total immensity. 

The development of Artificial Intelligence now allows me to penetrate practically into the universal phenomenology reflected in Quadro Specchiante.

The exhibition Meta Connections displays some stages of the journey towards the integration of the human mind and the artificial mind through technological development. 

In the work “QR Code Possession – Self-portrait” (2019 – ’23), I introduced a tattoo of 12 QR codes into the snapshot of my portrait, which reflect salient moments of my life, thus extending my memory of myself in the space-time of the Mirroring Picture. 

In the work “Girl Photographing a QR Code” (2021), the figure fixed on the mirrored surface holds a smartphone displaying a QR code, through which the viewer can see me accompanying visitors and illustrating the tour of the exhibition of my works. 

The work “QR Code Possession – Michelangelo Pistoletto & A.I.” is presented for the first time in this exhibition. It consists of five “abstract” canvases, each measuring 135×135 cm, each containing, and together representing, character and meaning. By scanning the QR Code on each canvas with their digital device, viewers can participate directly in the intense dialogue between M.P. and A.I. In five rounds of questions and answers, the human being and the artificial being reach a precise and clear mutual understanding.

Michelangelo Pistoletto

 

Artist Biography

Michelangelo Pistoletto was born in Biella in 1933.

He began to exhibit his work in 1955 and in 1960 he had his first solo show at Galleria Galatea in Turin. An inquiry into self-portraiture characterizes his early work. In the two-year period 1961-1962 made the first Mirror Paintings, which directly include the viewer and real time in the work, and open up perspective, reversing the Renaissance perspective that had been closed by the twentieth-century avant-gardes. These works quickly brought Pistoletto international acclaim, leading, in the sixties, to one-man shows in important galleries and museums in Europe and the United States. The Mirror Paintings are the foundation of his subsequent artistic output and theoretical thought.

In 1965 and 1966 he produced a set of works entitled Minus Objects, considered fundamental to the birth of Arte Povera, an art movement of which Pistoletto was an animating force and a protagonist. In 1967 he began to work outside traditional exhibition spaces, with the first instances of that “creative collaboration” he developed over the following decades by bringing together artists from different disciplines and diverse sectors of society.

In 1975-76 he presented a cycle of twelve consecutive exhibitions, Le Stanze, at the Stein Gallery in Turin. This was the first of a series of complex, year-long works called “time continents”. Others are White Year (1989) and Happy Turtle (1992). In 1978, in a show in Turin, Pistoletto defined two main directions his future artwork would take: Division and Multiplication of the Mirror and Art Takes On Religion.

In the early eighties he made a series of sculptures in rigid polyurethane, translated into marble for his solo show in 1984 at Forte di Belvedere in Florence. From 1985 to 1989 he created the series of “dark” volumes called Art of Squalor. During the nineties, with Project Art and with the creation in Biella of Cittadellarte – Fondazione Pistoletto and the University of Ideas, he brought art into active relation with diverse spheres of society with the aim of inspiring and producing responsible social change.

In 2003 he won the Venice Biennale’s Golden Lion for Lifelong Achievement. In 2004 the University of Turin awarded him a laurea honoris causa in Political Science. On that occasion the artist announced what has become the most recent phase of his work, Third Paradise. In 2007, in Jerusalem, he received the Wolf Foundation Prize in the Arts, “for his constantly inventive career as an artist, educator and activist whose restless intelligence has created prescient forms of art that contribute to fresh understanding of the world.” In 2010 he wrote the essay The Third Paradise, published in Italian, English, French and German.

In 2012 he started promoting the Rebirth-day, first worldwide day of rebirth, celebrated every year on 21st December with initiatives taking place all around the world.
In 2013 the Louvre in Paris hosted his personal exhibition Michelangelo Pistoletto, année un – le paradis sur terre. In this same year he received the Praemium Imperiale for painting, in Tokyo. In May 2015 he received a degree honoris causa from the Universidad de las Artes of Havana in Cuba”. In the same year he realizes a work of big dimensions, called Rebirth, situated in the park of the Palais des Nations in Geneva, headquarters of the UN.

In 2017 the text written by Michelangelo Pistoletto Ominitheism and Demopraxy. Manifesto for a regeneration of society was published.
In 2021 the Universario, an exhibition space in which the artist presents his most recent research, was inaugurated at Cittadellarte, and in December 2022 his latest book, La formula della creazione, in which he retraces the fundamental steps and the evolution of his entire artistic career and theoretical reflection, was published.

Artists

Michelangelo Pistoletto