From January 29, 2026 to March 05, 2026

Galerie Tanit, Mar Mikhael, Beirut, Lebanon

Cristiana de Marchi, Disappearing Water, 2018, Hand embroidery on Canvas, Polyptych, 72 cm x 56 cm

Cristiana de Marchi presents a body of work developed over the past five years. The exhibition spans a range of media, including textiles, video, and performance. Through a careful and often playful re-elaboration of easily accessible materials such as newspapers and audiotapes, alongside meticulous creative processes like intricate hand embroidery and knitting, de Marchi reflects on issues of political relevance, such as imposed territorial separation, environmental violence, while also exploring liminality, belonging and memory.

De Marchi presents an exploration of ‘absence’ through the lens of political engagement and ‘poethical’ responsiveness. Her practice reveals how meaning emerges through acts of interpretation and response, especially in contexts marked by silence, erasure, and contested histories. Drawing from her long-term artistic research, de Marchi reflects on the act of tracing, interrogating signs, and consciously operating “on a background of misunderstanding”.

Artist Biography

UAE-based Italian-Lebanese visual artist and writer Cristiana de Marchi holds an MFA with honours in Archaeology from the University of Turin, Italy, and a PhD in Artistic Research from the University of Applied Arts, Vienna. She is a graduate of the Salama bint Hamdan Emerging Artists Fellowship (Abu Dhabi).

De Marchi’s work has been featured in ArtAsiaPacific, Artforum, Contemporary Practices, Artribune, The Art Newspaper, and Harper’s Bazaar Art Arabia, among others. She has exhibited at the Louvre Abu Dhabi, Mathaf, Museum of Modern Art (Qatar), Villa Romana (Italy), Museum of Modern Art (South Korea), Sursock Museum (Lebanon), Langgeng Art Foundation (Indonesia), The John and Mable Ringling Museum of Art and New York University (both USA), Villa Vassilieff (France), Sharjah Art Museum, Maraya Art Centre (both UAE), and at the Biennial of Experimental Poetry (2024), Textile Biennale (2023), Yinchuan Biennale (2016), Santa Cruz Biennale (2016), Biennale Donna (2021), Culture of Peace Biennial (2016), as well as in parallel events to the Singapore Biennial (2013) and the Istanbul Biennial (2022).

De Marchi has been an artist-in-residence at various esteemed institutions, including the Cultural Foundation, UAE (2022–2023); Serlachius Residency,Finland (2022); University of Cincinnati (2018–2019); MoCA Yinchuan, China (2016); Rijksakademie, Amsterdam (2014); Santa Fe Art Institute (2014); The University of the Arts, Philadelphia (2012); and most recently at Al Mawrid Arab Center for the Study of Art (2024). Her work is represented in prominent collections, including the Centre Pompidou (France), MoCA Yinchuan (China), and the Museum of Contemporary Art (USA). Her poetry book, Embodying, was published by the Sharjah Art Foundation in 2016.