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Bodo Buhlborn 1951 Marienweiher / Franken, Germany "... The mirroring effects open the sculpture up and exposes it to the surrounding space, which also includes the viewer, in such a way that the work becomes spatially active, instead of merely reflecting its environment. [...] A three-dimensional work with a glossy surface hovers between the material and the immaterial, as if it were the product of some twilight zone. [...]" Justin Hoffmann, Nothing Is More Concrete than A Surface, On the extravagances of Bodo Buhl, from the catalogue Bodo Buhl, Neue Galerie Dachau 1995, p. 46. Sample Work
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